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Jamshed Bharucha
Provost and Senior Vice President of Tufts
Professor of Psychology
Ph.D., Harvard University, 1983
Jamshed Bharucha is Provost and Senior Vice President at
Tufts University. Prior to Tufts, he spent his academic career at Dartmouth
College, where he was the John Wentworth Professor of Psychological and Brain
Sciences and served in several leadership posts, most recently as Deputy Provost
and Dean of the Faculty. He graduated Phi Beta Kappa from Vassar College, where
he majored in biopsychology, received an M.A. in philosophy from Yale University
and a Ph.D. in cognitive psychology from Harvard University. He has served as
Editor of the interdisciplinary journal Music Perception, was a Fellow at
the Center for Advanced Study in the Behavioral Sciences in 1993-94, and was a
Trustee of Vassar College from 1991 to 1999, where he chaired the Budget and
Finance Committee. He is currently a Trustee of the International Foundation of
Music Research. At Dartmouth, he received the Huntington Teaching Award in 1989
and the Undergraduate Teaching Initiative Special Award in 2002.
His research has focused on the cognitive and neural basis of the perception of
music, using perceptual experiments, neural net modeling, and functional
magnetic resonance imaging (fMRI).
Representative Publications
- Bharucha, J. (in press). Cognitive dilemmas in higher education. In M.E. Devlin (Ed.),
Futures Forum 2008. Cambridge, MA: Forum for the Future of
Higher Education and NACUBO.
- Tillmann, B., Janata, P., Birk, J. & Bharucha, J.J. (in press). Tonal centers
and expectancy: Facilitation or inhibition of chords at the top of the harmonic
hierarchy? Journal of Experimental Psychology: Human Perception and
Performance.
- Bharucha, J.J. (2008). Expectation as an implicit process (Tribute to Leonard
Meyer). Music Perception, 25, 477-491.
- Bharucha, J. (2008). America can teach Asia a lot about science, technology, and
math. Chronicle of Higher Education, 54 (20), January 25, pp. A33-34.
- Bharucha, J. (2007). The
globalization of higher education. In J. Brockman (Ed.), What Are You Optimistic About? New York: Harper Collins.
- Bharucha, J. (2007). Mind over music. A space for music. Tufts Magazine,
XIV(2), 15-18.
- Bharucha, J. (2006). Squeeze a bit more from this sponge. Times Higher
Education Supplement, September 8, p. 4. London: TSL Education.
- Bharucha, J. J, Curtis, M., & Paroo, K. (2006). Varieties of musical
experience. Cognition, 100, 131-173.
- Tillmann, B., Janata, P., & Bharucha, J.J. (2003). Activation of the inferior
frontal cortex in musical priming. Cognitive Brain Research, 16, 145-161.
- Janata, P., Birk, J., Van Horn, J. D., Leman, M. Tillmann, B. & Bharucha, J.
J. (2003) The cortical topography of tonal structures underlying Western music.
Science, 298, 2167-2170.
- Tillmann, B., Janata, P., Birk, J. & Bharucha, J.J. (in press) The costs and
benefits of tonal centers for chord processing. Journal of Experimental
Psychology: Human Perception and Performance.
- Justus, T.C. & Bharucha, J.J. (in press). Music perception and cognition. In
H. Pashler & S. Yantis (Eds.), Stevens Handbook of Experimental Psychology
(3rd Ed.). New York: Wiley.
- Janata, P., Birk, J.L., Tillmann, B., & Bharucha, J.J. (in press). Online
detection of tonal pop-out in modulating contexts. Music Perception.
- Janata, P., Tillmann, B., & Bharucha, J. J. (2002). Listening to polyphonic
music recruits domain-general attention and working memory circuits. Cognitive, Affective,
and Behavioral Neuroscience, 2, 121-140.
- Tillmann, B. & Bharucha, J.J. (2002). Effect of harmonic relatedness on
detection of temporal asynchronies. Perception & Psychophysics, 64,
640-649.
- Justus, T.C. & Bharucha, J.J. (2001). Modularity in musical processing: The
automaticity of harmonic priming. Journal of Experimental Psychology: Human
Perception and Performance, 27, 1000-1011.
- Tillmann, B, Bharucha, J.J. & Bigand, E. (2000). Implicit learning of
tonality: A self-organizing approach. Psychological Review, 107, 885913.
- Bharucha, J.J. (1998). Neural nets, temporal composites and tonality. In D.
Deutsch (Ed.), The Psychology of Music (2d Ed.). New York: Academic Press.
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