Bharucha, J.J. (1987). MUSACT: A connectionist model of musical harmony. In Proceedings of Ninth Annual Conference of the Cognitive Science Society, pp.508-517. Hillsdale, NJ: Lawrence Erlbaum.

Bharucha, J.J., Meike, B., & Baird, J.C. (1987). The Macintosh as a user-friendly laboratory for perception and cognition. Behavior Research Methods, Instruments, & Computers, 19, 131-134.

Bharucha, J.J., & Stoeckig, K. (1986). Reaction time and musical expectancy: Priming of chords. Journal of Experimental Psychology: Human Perception and Performance, 12, 403-410.

Bharucha, J.J., & Pryor, J. (1986). Disrupting the isochrony underlying rhythm: An asymmetry in discrimination. Perception & Psychophysics, 40, 137-141.

Bharucha, J.J. (1986). Review of Cognitive processes in the perception of art by W.R. Crozier & A.J. Chapman. Music Perception, 3, 315-322.

Krumhansl, C., & Bharucha, J.J. (1986). 1) Absolute pitch. 2) Psychology of music. 3) Tests of musical capacity and ability. In D.M. Randel (Ed.), Harvard Dictionary of Music (Rev. ed.). Cambridge: Harvard University Press.

Bharucha, J.J., Olney, K.L., & Schnurr, P.P. (1985). Detection of coherence-disrupting and coherence-conferring alterations in text. Memory & Cognition, 13, 573-578.

Bharucha, J.J. (1985). Kognitive Musikpsychologie. In H. Bruhn, R. Oerter, & H. Rosing (Eds. and trans.), Musikpsychologie: Ein Handbuch in Schlusselbegriffen, pp. 123-132. Munich: Urban & Schwarzenberg.

Bharucha, J.J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.

Bharucha, J.J. (1984). Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling. Journal of Experimental Psychology: General, 113, 421-425.

Castellano, M.A., Bharucha, J.J., & Krumhansl, C.L. (1984). Tonal hierarchies in the music of North India. Journal of Experimental Psychology: General, 113, 394-412.

Bharucha, J.J., & Krumhansl, C.L. (1983). The representation of harmonic structure in music: Hierarchies of stability as a function of context. Cognition, 13, 63-102.

Krumhansl, C.L., Bharucha, J.J., & Castellano, M.A. (1982). Key distance effects on perceived harmonic structure in music. Perception & Psychophysics, 32, 96-108.

Krumhansl, C.L., Bharucha, J.J., & Kessler, E.J. (1982). Perceived harmonic structure of chords in three related musical keys. Journal of Experimental Psychology: Human Perception and Performance, 8, 24-36.

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