Music Cognition Lab

                                Lab Publications

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Bharucha, J.J., Curtis, M. & Paroo, K. (In press). Musical communication as alignment of non-propositional brain states. In Rohrmeier, M., Rebuschat, P., Hawkins, J. & Cross, I. (Eds.), Music and Language as Cognitive Systems. Oxford: Oxford University Press.

Bharucha, J.J., Curtis, M. & Paroo, K. (In press). Alignment of brain states: Response to commentaries. In Rohrmeier, M., Rebuschat, P., Hawkins, J. & Cross, I. (Eds.), Music and Language as Cognitive Systems. Oxford: Oxford University Press.

Curtis, M. E. & Bharucha, J. J. (2010). The minor third communicates sadness in speech, mirroring its use in music. Emotion, 10, 335-348.

Curtis, M. E. & Bharucha, J. J. (2009). Memory and musical expectation for tones in cultural context. Music Perception, 26, 365-375.

Bharucha, J.J. & Curtis, M. (2008). Affective spectra, synchronization and motion: Aspects of the emotional response to music. Behavioral and Brain Sciences, 31, 579. (Commentary on Juslin & Vastfjall, 2008)

Bharucha, J.J., Curtis, M., & Paroo, K. (2006). The varieties of musical experience. Cognition, 100, 131-173.

Janata, P., Birk, J.L., Tillman, B., & Bharucha, J.J. (2003). Online detection of tonal pop-out in modulating circuits. Music Perception, 20 (3), 283-305.

Tillman, B., Janata, P., & Bharucha, J.J. (2003). Activation of the inferior frontal cortex in musical priming. Cognitive Brain Research, 16, 143-161.

Tillmann, B., Janata, P., Birk, J., & Bharucha, J.J. (2003). The costs and benefits of tonal centers for chord processing. Journal of Experimental Psychology: Human Perception and Performance, 29: 470-482.

Janata, P., Birk, J.L., Van Horn, J.D., Leman, M., Tillman, B., & Bharucha, J.J. (2002). The cortical topography of tonal structures underlying Western music. Science, 298, 2167-2170.

Janata, P., Tillman, B., & Bharucha, J.J. (2002). Listening to polyphonic music recruits domain-general attention and working memory circuits. Cognitive, Affective, and Behavioral Neuroscience, 2, 121-140.

Justus, T.C. & Bharucha, J.J. (2002). Music Perception and Cognition. In S. Yantis & H. Pashler (Eds.) Stevens' Handbook of Experimental Psychology, Volume 1: Sensation and Perception (Third Edition), pp. 453-492. New York: Wiley.

Tillman, B. & Bharucha, J.J. (2002). Effect of harmonic relatedness on the detection of temporal asynchronies. Perception and Psychophysics, 64 (4), 640-649.

Justus, T.C. & Bharucha, J.J. (2001). Modularity in musical processing: The automaticity of harmonic priming. Journal of Experimental Psychology: Human Perception and Performance, 27(4), 1000-1011.

Tillman, B., Bharucha, J.J., & Bigand, E. (2001). Implicit learning of regularities in western tonal music by self-organization. In R. French & J. Sougne (Eds.), Perspectives in Neural Computing Series. Proceedings of the Sixth Neural Computation and Psychology Workshop: Evolution, Learning, and Development, pp. 175-184. London: Springer.

Tillman, B., Bharucha, J.J., & Bigand, E. (2000). Implicit Learning of Tonality: A Self-Organizing Approach. Psychological Review, 107 (4), 885-913.

Tekman, H.G. & Bharucha, J.J. (1998). Implicit knowledge versus psychoacoustic similarity in priming of chords. Journal of Experimental Psychology: Human Perception & Performance, 24, 252-260.

Bharucha, J.J. & Mencl, W.E. (1996). Two issues in auditory cognition: Self-organization of categories and pitch-invariant pattern recognition. Psychological Science, 7, 142-149.

Tramo, M.J. & Bharucha, J.J. (1991). Musical Priming by the Right Hemisphere Post-Callostomy. Neuropsychologia, 29 (4), 313-325.

Papers and posters without pdfs
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