Philosophy 0054B / Philosophy and Film /
Mario De Caro
(course site)
According to Hamlet, there are more things in heaven and earth than are dreamt of in philosophy. Maybe he was right.
What Hamlet couldn't know, however, was that nowadays the dreams of philosophy are made real by movies. Take some recent movies such as The Matrix, Minority Report, Vanilla Sky, and Memento. Or less recent movies, such as Blade Runner, Crimes and Misdemeanors, and A Clockwork Orange. Or take immortal classics such as Rashomon, The Seventh Seal, and Twelve Angry Men. They are all philosophical movies, that is, movies that bring out, and help us in understanding, some of the deepest problems that philosophers have been tackling for centuries. How can we be free if we are subject to the laws of nature? How can we be sure that the world we perceive as real is real? Is there such a thing as the right answer to ethical dilemmas? Why is God silent in front of the most evil events? May a war ever be just?
Of course, philosophers argue and look for solution to these problems; movies generally don't argue and don't offer clear-cut solutions. But they may reveal the depth, the complexity and the relevance of the philosophical problems much better than many big books. In this course, some of the most classical philosophical questions will be explored by considering movies (and a few essays on their philosophical content). We will watch many clips and a couple of movies, and will discuss them from a philosophical point of view. Perhaps sometimes even the dreams of philosophy may be fun.
Philosophy 0092B / Existentialism /
Jeffrey McConnell
(course site)
A study of the existentialist tradition, focusing on Kierkegaard, Nietzsche, Heidegger, Sartre, and Simone de Beauvoir, as well as certain American writers with links to this tradition, such as Emerson and Thoreau, and several contemporary writers. We will explore a variety of accounts of why the universe exists, why each of us human beings exists, what the meaning of life is, how we can live our lives meaningfully, and how we should feel about death, distinguishing existentialist approaches to each question from other approaches. Readings drawn from plays, novels, and nonfiction works.