Jowhara AlSaud
This project explores the art gallery as a medium through
an installation of found artists. My curatorial debut showcases
the work of young international artists concerned with the
concept of boundaries, how they are defined, and the artists’
desires to blur or transgress them. The thread that ties me
and these artists together becomes a starting point for a
larger cross-cultural, cross-medium, cross-contextual discourse. |
 |
 |
|
Lorien Bianchi
Driven by the notion of borders and boundaries, the work in
this exhibition is about collision, conflict, and harmony
and reveals my own experience living “in between”
worlds. Through historical photographic processes distinct
scientific worlds are juxtaposed: gigantic cosmos simulations
and the miniature neuron images. Viewers are invited to participate
in the process of putting a word puzzle together.
|
|
 |
|
Gonzalo Fuenmayor
I am interested in how images shift meaning once they are
translated into a pictorial language. Human-scale decaying
plantains are arranged in staged compositions that subversively
lead viewers into unexpected venues. The manipulation of these
images pictorially and stylistically raises questions ranging
from art historical to political.
|
|
 |
|
Nathan Lewis
The work consists of five narrative paintings about the institutions
we continue to erect and our inability to maintain them. The
tower is used as a symbol of power, a power which, in different
cases, we desire, resist, protect, or destroy. |
|
 |
|
Danica Mills
Danica Mills is interested in both documentary and fictional
film and video. She draws her influences from western classical
music and Chinese literature. “Poet” (b/w, 16mm,
30min) is a fictional narrative film in which a cross-cultural
encounter is stymied by daydreams and desires.
|
|
 |
|
Amy Montali
Borrowing from the languages of painting, cinema, and snapshot
photography, as well as advertising, entertainment, and propaganda,
this installation features large-scale photographs that explore
rivalry, desire, guilt, and interpersonal disparity in both
real and fictitious relationships.
|
|
 |
|
N. Seideneck
These large-scale digital prints are constructed using appropriated
satellite images/files from the Internet as well as my own
source images. They explore ideas of aesthetics as anesthetic,
of machine vision, shifting perspectives, and how the technology
of image production operates in relation to the viewer. |
|
 |
|
Sara Seinberg
The photographs are a saturated carnival world, a place where
detritus is a beauty queen. Longing rules the chasms left
empty by language. Ultimately, emotional willingness and the
sheer tug of color triumph in a kind of languid verse. Comfort
and a soundtrack help take the viewer into a landscape where
all the grains swirl together. |
|
 |
|
Sue Yang
www.sueyangart.com
Through digitally manipulated photographs, I intend to create
art as an inspiration for people to be more open-minded, accepting,
and appreciative of cultural diversity. |
|
 |
| |
|
|
Current
| Upcoming | Archived
