aparna agrawal
"For the last fifteen years, I have been making sculpture, paintings, drawings and mixed media works.
I move between these mediums fluidly during the year, finding myself drawn to one or multiple dimensions
because of imagery or simply a desire to manipulate different materials.
The paintings and works on
paper are inspired from my time spent in the natural world. The images in this exhibition are made using
mixed media, collage, oil, and drawing materials. I use pages from an ancient dictionary found in the trash,
which have inspired and directed these drawings. The text functions as a ground pattern, and a different
visual dimension."
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kelvy bird
"My paintings express felt, often silent, emotional tensions. The Pulse images address the bloom, or emission,
of human presence from an energetic, intangible field." |
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Betty bolivar
"In these drawings, I challenge myself to stay with an idea, to focus, and to ride it out. Using pen
and paper, I write a phrase or word over and over. The process of repetitive mark-making brings about a
subconscious arrangement of forms and shapes on the page. This body of work responds to my inability
to be present in the moment and my restlessness in life and work. I am addicted to change and believe that
change is a good thing. I discovered that this artistic process liberates me from my restlessness and
brings me a sense of calm." |
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jeffrey ellse
"Truth is important in my paintings. By capturing the
truth of what I see in a person, it allows what is
underneath the surface to appear. In everyday life,
people like to believe certain things about themselves
and often ignore the obvious. My idea of a portrait is
not to capture some idolized image of a person, but to
find their true self, showing their life experience
within the painting." |
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nona hershey
"Since the beginning of time, clouds have represented uncertainty. Religion, science, and art have
continually attempted to determine the specific origin and character of forces larger than ourselves. Clouds
have represented the wrath of gods, the benificent containers of rain, and the boundary between this world
and the mystery beyond. My drawings are made by slowly building up layers of graphite powder to
evoke form and light. It is a medium whose softness lends itself well to mutability."
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mary kenny
"These short films were conceived after a frightening encounter with a bear in Yosemite. As a city girl, I hadn't realized
the unnverving and unpredictable realities of nature and wildlife. This brush with my own mortality led me to examine
cultures who live in extreme environments, in close proximity to dangerous animals. The Hunt is inspired
by outdated notions of Arctic life in "Nanook of the North".
I made Death Down Under after a visit to the Australian Outback where I met with aboriginal peoples. I was
struck by their generations-old way of life, and the inherent danger of the hunt. The hunt, hunted, and hunter are the
core story elements of the films. The presentation is in the tradition of children's literature, picture books, and
animation from the Brother's Grimm to South Park."
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kyle larabee
"My work utilizes a quasi-scientific method that involves carefully observing natural materials and processes. Using various techniques, such as collage and painting with integrally colored plaster, I transform familiar parts of our environment – including the fallen leaves and moon phases seen in these works - in an effort to better see and understand the fleeting world around me."
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denise malis
"My interest as an artist lies in the interaction between our conscious and unconscious state of mind.
In many ways the unseen world—that of our subconscioius—holds the key to how we perceive
the world in which we live. I tend to think in layers, which is reflected in the art process and in the
imagery that emerges."
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maria muller
"My artwork is a blending of photography and painting. With vibrant colors, I infuse my
subjects with mood, mystery, sensuality, or whimsy. Accurately representing reality is not my
intent. The colors ultimately transform the seeming reality of the photographs into something
hyper-real, evocative, or, in the end, surreal."
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chris nau
"My objective is to bulid images that merge elements that are at odds with one another
into a new, more intense permutation. I concentrate on boundaries that are interrupted, altered,
or invaded. The possibilities that exist within the figure/ground relationship are limitless in
this regard. I physically cut into many of my pieces to introduce a layer that opposes the very
unity of the picture plane. Ultimately, I'm after a new wholeness that is more powerful than
either the physical or the illusory elements alone—something that is more meaningful
in its wholeness because it has been broken, but is brought to a resolution using the very
elements that are in opposition."
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gabrielle rossmer
"Recent scientific evidence suggests that clay is one of the building blocks of life on earth. Life from earth itself! Perhaps that's why clay's materiality is so human. Being earth, it answers the pull of gravity, and it accepts every touch. Clay reminds us of its long figurative history. All the work shown here is 'figurine' sized, like the Roman lares or household gods. Working in this materials and scale is a grounding force for me in a time of world-wide upheaval. I can limit my options (clay, modeled and fired) in a time of unlimited change and focus my ambition."
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