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| Name: |
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Eric Rosenberg |
| Title: |
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Associate Professor
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| Departmental Affiliation: |
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Art & Art History Department
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| Degrees: |
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BA, Magna Cum Laude--University of Michigan, 1979
MA,1981,PhD,1992--Harvard University |
| Expertise: |
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History of Art in the United States; Modern and Contemporary Art; Theory and Practice of Art History
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| E-mail: |
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eric.rosenberg@tufts.edu
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| Scholarship & Research: |
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"Photography is Over, If You Want It," Chapter in Robin Kelsey and
Blake Stimson, eds., THE MEANING OF PHOTOGRAPHY, (Clark Studies in the History of Art,) Clark Art Institute/Yale University Press, 2008.
"The Totality of Form: SJ Freedberg's Criticism and Clement Greenberg's History," chapter in Elizabeth Mansfield, ed., MAKING ART HISTORY, Routledge, March 2007.
"Nemerov, Wyeth, and the Limits of American Art History," THE ART BULLETIN, March 2006.
TRAUMA AND VISUALITY IN MODERNITY, Co-Editor, with Lisa Saltzman, University Press of New England, 2006.
"A Preponderance of Practical Problems: Discourse Institutionalized and the History of Art in the United States, 1886-1888," in ART HISTORY AND ITS INSTITUTIONS, Routledge, 2002.
"Meaning the Modern," in ART HISTORY, June 2000.
"Exit Closed, Friedel Dzubas and the Existence of Painting," in FRIEDEL DZUBAS: CRITICAL PAINTING, Tufts University Gallery, 1998.
"M.G. Van Rensselaer's Wanted: A History of Architecture and the Politics of Historical Practice," in APPENDX, 1996.
"Art Is History, No?" in ART HISTORY, September 1995.
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