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	People Faculty Administrators & Staff Full-Time Faculty Part-Time Faculty Emeritus & Former Faculty Graduate Students Office Hours	People Contact Info: Tufts University Department of English 6 The Green Room 111, East Hall Medford, MA 02155 Office: 617.627.3026 Email Professor Download CV Judith Haber Professor Director of Graduate Studies Education Ph.D., University of California, Berkeley, 1988 B.A., New York University, 1975 Biography I was born and raised in New York, and I have spent most of my adult life bouncing back and forth between coasts. I originally went to Reed College in Portland Oregon, finished college at NYU, went to graduate school at UC Berkeley, and then came back East to teach at Tufts. I love both coasts; sometime I will get a look at the middle of the country. Research Interests Renaissance dramatic and non-dramatic literature Gender and sexuality studies Feminist theory Courses Taught General View of English Literature Shakespeare The Renaissance in England Renaissance Drama Seventeenth-Century English Literature Forms of Desire in Early Modern England Publication Highlights Books Pastoral and the Poetics of Self-Contradiction: Theocritus to Marvell (Cambridge University Press, 1994) Desire and Dramatic Form in Early Modern England (Cambridge University Press, 2009) Selected Articles "Comedy and Eros: Sexualities on Shakespeare's Stage," in Oxford Handbook to Shakespeare's Comedies. Ed. Heather Hirschfield. Oxford, 2017 (forthcoming). "The State of the Art: Sexuality, History, and the Theater," in Edward II: A Critical Reader. Arden Early Modern Drama Guides. Ed. Kirk Melnikoff. Bloomsbury, 2016. "'Submitting to History': Marlowe's Edward II," in Enclosure Acts: Sexuality, Property, and Culture in Early Modern England, ed Richard Burt and John M. Archer (Cornell University Press, 1994). "'True-Love's Blood': Narrative and Desire in Hero and Leander," English Literary Renaissance 28 (1998). "'My body bestow upon my women' : The Space of the Feminine in The Duchess of Malfi," Renaissance Drama n.s. 28 (1999) "'I(t) could not choose but follow': Erotic Logic in The Changeling," Representations (2003) "The Duchess of Malfi:Tragedy and Gender," in The Cambridge Companion to English Renaissance Tragedy, ed. Garrett Sullivan and Emma Smith (Cambridge University Press, 2010). "'I cannot tell wat is like me': Simile, Paternity, and Identity in Henry V," Shakespeare Studies 41 (2013).
	© 2018 Tufts University \| Privacy

Tufts University \| School of Arts and Sciences \| Find People \|

	Home \| About \| People \| First Year Writing \| Courses \| Undergraduate \| Graduate \| News & Events
	People Faculty Administrators & Staff Full-Time Faculty Part-Time Faculty Emeritus & Former Faculty Graduate Students Office Hours	People Contact Info: Tufts University Department of English 6 The Green Room 111, East Hall Medford, MA 02155 Office: 617.627.3026 Email Professor Download CV Judith Haber Professor Director of Graduate Studies Education Ph.D., University of California, Berkeley, 1988 B.A., New York University, 1975 Biography I was born and raised in New York, and I have spent most of my adult life bouncing back and forth between coasts. I originally went to Reed College in Portland Oregon, finished college at NYU, went to graduate school at UC Berkeley, and then came back East to teach at Tufts. I love both coasts; sometime I will get a look at the middle of the country. Research Interests Renaissance dramatic and non-dramatic literature Gender and sexuality studies Feminist theory Courses Taught General View of English Literature Shakespeare The Renaissance in England Renaissance Drama Seventeenth-Century English Literature Forms of Desire in Early Modern England Publication Highlights Books Pastoral and the Poetics of Self-Contradiction: Theocritus to Marvell (Cambridge University Press, 1994) Desire and Dramatic Form in Early Modern England (Cambridge University Press, 2009) Selected Articles "Comedy and Eros: Sexualities on Shakespeare's Stage," in Oxford Handbook to Shakespeare's Comedies. Ed. Heather Hirschfield. Oxford, 2017 (forthcoming). "The State of the Art: Sexuality, History, and the Theater," in Edward II: A Critical Reader. Arden Early Modern Drama Guides. Ed. Kirk Melnikoff. Bloomsbury, 2016. "'Submitting to History': Marlowe's Edward II," in Enclosure Acts: Sexuality, Property, and Culture in Early Modern England, ed Richard Burt and John M. Archer (Cornell University Press, 1994). "'True-Love's Blood': Narrative and Desire in Hero and Leander," English Literary Renaissance 28 (1998). "'My body bestow upon my women' : The Space of the Feminine in The Duchess of Malfi," Renaissance Drama n.s. 28 (1999) "'I(t) could not choose but follow': Erotic Logic in The Changeling," Representations (2003) "The Duchess of Malfi:Tragedy and Gender," in The Cambridge Companion to English Renaissance Tragedy, ed. Garrett Sullivan and Emma Smith (Cambridge University Press, 2010). "'I cannot tell wat is like me': Simile, Paternity, and Identity in Henry V," Shakespeare Studies 41 (2013).
	© 2018 Tufts University \| Privacy